Artist Denise Brown and 'Abenaki' Trail of Painted Ponies
Painting
Ponies: An interview with artist Denise F. Brown
An Arichived Interview
As seen in the February 2016 issue of Arabian Finish Line Magazine
Denise F. Brown is an equine artist and illustrator. An advocate
for America’s wild horses (and all horses), Brown is a life-long horse-lover.
She grew up in Rye, New Hampshire next to four horse farms where her love
affair with horses began. At an early age, Denise could be found in the fields
drawing horses or reading every horse book she could find…
GM: Denise, your artwork is lovely. Describe your studio...
DB: I have been a self-employed graphic artist and illustrator for
35 years, with a home office and studio. My world is wrapped around computers
and the internet, with a variety of businesses as my clients. My passion is my
artwork. My love is painting horses.
GM: When was your first encounter with a horse?
DB: I grew up next to four horse farms and fell in love with
horses and drawing and painting them. You could always find me in the fields
sketching them. My cats would follow me and we would spend the afternoon watching
the horses and foals. The foals would rest their head on my lap while I
sketched them. The family I babysat for had a big horse and also a pony named
Gidget that I exercised because their kids were too little or not interested.
My other neighbor’s donkey named Henry would follow me everywhere when I wore
my pink sweater. I took riding lessons in high school but could not afford a
horse of my own. Then I was off to college and after that started an
advertising and graphics business. Working 80 hours a week, being
self-employed, I never had the time to own a horse, so I would only go riding
occasionally when the opportunity arose, but the love of horses was deep in my
heart.
GM:
You capture the true beauty of the Arabian horse in your art...
DB:
A friend of mine raised Arabians in my hometown. That’s where I learned of the
grace and unique beauty of the Arabian horse breed. They are like the Prom
kings and queens of the horse breeds. The chiseled face and head, the long neck
and slender structure of an Arabian is stunning and captivating to paint. They
are what legends and movies are made of. The first sculpture ever found was
made by mankind 35,000 years ago. It was a horse that had a long neck like that
of an Arabian horse. Horses have inspired artists since the beginning of
time and I will never tire of painting them.
GM: I know you admire all horse breeds. Do you have a favorite
painting of your own creation? What is the story behind this beautiful artwork?
DB: I am an artist for The Trail of Painted Ponies. I was a runner
up in one of their contests with my entry, “Abenaki, the Indian pony”. They
often donate to help wild horses so I am proud to be one of their stable of
artists. That’s when I wrote my first horse book, about “Abenaki”. I began
researching the life of a wild horse and realized how important it was to write
and illustrate my next book, “Wind, Wild Horse Rescue”, so people could easily
understand their plight. The NHSPCA uses it to teach children about the
mustang.
GM: Congratulations on your book release. Your illustrations are
beautiful! The colt in your story, Wind,
is chased by a government helicopter. What was it like to witness this
horrifying event as horses were herded and captured off of their homeland?
DB: I’ve never had the opportunity yet to see a live round up. I
watch every video and read everything I can about the wild horses roundups and
the slaughterhouse pipeline. It’s on my bucket list to spend time with the
other advocates on actual roundups. I’ve talked to people who have seen them
and they come away quite traumatized and heartbroken as the wild horses lose
their freedom. I wrote the book as a story in the eyes of a colt, so American
citizens can easily understand and learn about the plight of the wild mustang
today and how they can help to keep them free and not end up in the
slaughterhouse pipeline. Trucks go up the highway in New Hampshire where I live
to Maine and over the border to Canada to the slaughterhouse. It is not a happy
sight to see a trailer with horses that you know are not on their way to be
"adopted by a kind family". Their life is beyond suffering on route
in crammed trailers with no water.
GM: Wind, the horse in your story, is successfully placed in a
rescue and finds a home. Is that a common scenario for most captured wild
horses?
DB: Actually only a small percentage are adopted. The price of hay
and the economy has not made it easy for stables to afford extra mouths to
feed. The ones who do get adopted often take months and years for them to
settle down, but once they gain your trust, people describe them as “bomb
proof”. They can become great horses. Many New Englanders and East Coast people
have adopted them. A friend of mine in New Hampshire has two. There are several
rescue organizations in every state.
GM: What are your views of the current BLM’s (Bureau of Land
Management) attempt to save the wild Mustangs?
DB: I am optimistic that there are some good people in the BLM who
truly want to protect the wild herds, but overall the BLM constantly blames the
mustang for bad range conditions and over-grazing. They don’t like to factor in
how cattle greatly outnumber the mustangs. Cattle have a different way of
grazing than horses, as they have one set of teeth and rip the grass and roots
out of the ground. Horses have upper and lower teeth and bite the grass off,
leaving the roots, so there is actually less damage. Plus, cattle grind up and
digest the grass and grass seeds through a couple of stomachs. Horses have one
stomach so the grass seeds pass through them and are nature’s way of reseeding
the land. Studies show that horses help the land this way. Cattle are sent out
in the spring and eat all the grass, so by the time it becomes hot weather and
drought, the grass can’t recover. The wild horses are left with drought
conditions so they are blamed for the damage while searching for water. I
don’t think the BLM really wants to “save” the mustangs, but instead prefers to
limit their numbers. They know that they can’t continue to stockpile wild
horses in pens as a solution. However, each time they decrease a herd
under 150 in population, the herd is not viable as a healthy number and leads
to inbreeding. This makes them genetically weaker.
GM: In your opinion, what can the BLM do to ensure the success of
America's Mustangs?
DB: Scientific studies have been done and are on-going in birth
control for mares. They have gelded the stallions in the wild, but there is a
very dangerous risk of infection and bleeding. I hope they don’t continue that.
If they geld the stallions, it upsets the balance of the herds, too, because
the gelded males still compete with the stallions. A mustang’s life is not easy
but they are better off living free and dying in the wild than being locked up
forever in holding pens or sold to kill buyers.
GM: How did you become involved with protecting American’s wild
horses?
DB: When I learned about the plight of the wild horse about ten
years ago, I wanted to use my artwork to help them. I will always be dedicated
to educating anyone who will listen about saving the wild ones. People around
the world become upset when they hear how we manage our wild horses. They love
Western movies and can’t believe a cattleman would not love the wild horse.
Believing in conservation all my life, I feel that it is important to speak up
and protect the land and the animals. Thank you for the opportunity to speak
about wild horses. Senator and Congressman and submit their opinions and
suggestions. They can attend a BLM [USA Bureau of Land Management] meeting if
they are in that area or write to the media or visit a holding pen or a roundup
and document it if possible.
You can see my artwork and books at www.raccoonstudios.com and
read my ‘Wind Wild Horse’ Blog at www.windwildhorse.com to
learn about the wild horse in the news today and spread the word to everyone
who will listen. 80% of the American public wants the wild horses to be free
and protected from the slaughterhouse pipeline. We can all be their voice to
save the wild horses and burros.
An Arichived Interview
As seen in the February 2016 issue of Arabian Finish Line Magazine
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