Residing
in California USA, Gordon
Snider is an experienced novelist, writing both fiction and
nonfiction. A world traveler, his current book release, The Hypnotist, is a riveting thriller that takes place in the 1900’s.
Welcome
Gordon!
Your book cover is
creepy and enticing at the same time! A great cover!
Every
time I do a book signing, people are drawn to that cover. They often pick
it up first.
Who is the Hypnotist?
A
very evil man who preys on young women from the rat plagued streets of the
tenements. He hypnotizes them and delivers them to the tongs, vicious
gangs who run the brothels and opium dens in Chinatown. The young women
are forced into servitude in the brothels.
What drew you to
San Francisco, 1906?
I
have always been drawn to San Francisco. In fact, I lived in the Bay Area
for 20 years. I thought it would be the perfect setting for my novel, but
I had a problem. I had just finished a novel, The
Separatist, that took place in the city during the modern era, and I
did not want repeat the same setting. Then I thought about 1906. It was
such a colorful period in San Francisco's history, with the newly minted
millionaires, the desperately poor who lived in the tenements south of Market
Street, the murky warren of endless alleyways in Chinatown, and, of course, the
great earthquake and fire. When I started writing the novel, I found it
to be the perfect setting.
Did you do a lot of
research about the earthquake and fire?
Our
local library had many books filled with first-hand accounts of great the earthquake and fire. I spent hours pouring over them and found the descriptions
mesmerizing. They made the events seem more real in a way ordinary
descriptions could not, and they brought my story to life.
Who is your
favorite character?
That
has to be my protagonist, Marta. She is a feisty young woman who faces
many challenges and hurdles and confronts them with a courage and determination
not found in many women of that era. In my previous two novels, my heroines are
not nearly so sure of themselves but developed inner resolve and confidence as
the novels proceeded. In the Hypnotist, Marta shows her spirit from page
one to the end of the story.
Please share an
excerpt from The Hypnotist…
“There it was
again. The sound of feet clambering over shattered wood. The sound came
closer. Boards were pushed aside. The light above her head grew brighter.
Before she could call again, hands appeared and ripped at the mass of
splintered wood that held her captive. The smoke was visible now, thick gray
smoke that nearly choked her when she breathed. There was little time.
The hands were working rapidly. She felt a shift in the weight on top of
her. Suddenly, it was gone! Her arms and legs were free, and someone's
arms were reaching around her and pulling her from her tomb.
She gasped with relief
as the arms pulled her to her feet. A wall of flame less than a block away
nearly blinded her with its fierce orange-yellow glow, and for a moment she
couldn't see her rescuer. The heat from the flames pushed the cold air aside
and quickly produced a film of sweat on her face and arms. They couldn't stay
there much longer, but the rope chafing her skin prevented her from moving. He
swiftly untied the knots that bound her. How deftly his fingers worked. How
familiar they seemed. Once her hands and feet were free, she spun around to
face her rescuer. He had moved so she could see him clearly. She found herself
staring into the deep-set eyes of the hypnotist! She rubbed her painful wrists
and looked at him in amazement. He was alive and had just rescued her from a
horrible fate. For a heartbeat, gratefulness overcame anger; relief overwhelmed
rage. She stared at his face with a mixture of happiness to be alive and fury
for the terrible things he had done.
She saw by the way that
he tried to focus his eyes on hers that he wanted to hypnotize her, but he
couldn't hold his gaze. His eyes darted across her face with the capriciousness
of a restless bird. They would settle on hers, then fly off, return and then
flit away again. Flashes of pleasure streaked through her body each time he
succeeded in arresting his wayward gaze, but the desire to be with him quickly
dissipated when he glanced away. He had been undone by the earthquake, and for
a while, at least, rendered powerless. Marta's relief at being rescued subsided
as anger gained the upper hand. He hadn't come for her because he was concerned
about her life. He wanted to enslave her and have her do his will. The
realization made her more determined to escape.
The flames were moving
rapidly towards them as they stood facing each other. The hypnotist finally
managed to bring his rebellious eyes under control, but their potency remained
weak. Marta refused to be deterred by his gaze. She stared into those fearful
eyes defiantly, until they blinked and scurried away. Precious sends remained
for them to flee the impending fire storm, yet neither moved. The hypnotist was
still trying to bend her to his will, and she refused to let him do so. It was
a standoff that would consume them both if they didn't end their silent
confrontation. A small clocked ticked in the back of Marta's head. It told her
she was out of time. Her arms were already singed and her clothes heated to the
point of combustion. She had to flee now or perish, yet her feet refused to
move.”
Is your story line
based upon your own life experiences?
No,
my stories are based in settings I know well, either from first-hand experience
or research. I often include scenes, character traits or subplots based
on incidents from my life, but not on life experiences.
Describe your
writing/editing style and routine...
I
write a novel at least five times. The initial draft is very rough, sort
of a skeleton of the story to come. Each succeeding daft builds on the
previous one as I flesh out characters, add new ones or eliminate ones that do
not add enough to the story. Generally, I start with a pretty good idea
of the underlying plot, but not much more than an outline. As I proceed,
characters grow and change. They often surprise me as they evolve. And the plot
takes on new twists in turns for which I did not plan. Serious editing begins
about the fourth writing, although I have already done considerable editing in
the precious drafts. When I am working on a novel, I usually write several
hours a day, not because I have a forced routine. Rather, it is because I can
hardly wait to get back on my computer and see what my characters are going to
do next!
When did you
realize you wanted to become a writer?
In
my early twenties. However, I limited those earlier years to magazine
articles and a couple of business books. I did not have the time or
patience to write novels. All that changed when I made two trips into
Tibet and decided to write a novel about a woman who undertook great hardships
in order to help the Tibetans overcome the crushing weight of China's rule.
Dianne [Helm] loved the novel (Sigouney's
Quest) and so did book clubs. More to the point, I discovered a
love for novel writing and that is mostly what I have done for the past dozen
years.
Who is your
favorite author?
Joyce
Carol Oates and Gore Vidal. Both have tackled their subject manner with
biting writing styles and approached their subjects from different angles than
most other writers.
What are you
currently writing?
I
am not writing anything at the moment, but I have begun to outline some ideas.
What are you
currently reading?
I
am currently reading Devil in the White
City by Erik Larson. It is a non-fiction account of a serial killer
operating during the building and running of the world's fair in Chicago.
Get
your ideas down on paper (or computer), no matter how rough they might be.
Don't try to create a work of art in you first draft. There will be plenty of
time to develop the characters and plot and to be a wordsmith as you
proceed. But do not undertake the challenge of a full novel unless you
are prepared to rewrite, edit and rewrite and edit, etc. Sometimes it is
better to hone your initial skills on short stories. They are easier to
get published and they can help you learn about dialogue, character
development, underlying plots and sub-plots, etc.
Connect with Gordon…