Saturday, January 12, 2013

Chintan Parekh, Writer



From Mumbai, India, Chintan is an actor, philosopher, writer and director. 

Welcome Chintan!

Tell me about your writing and directing...

Well to start of, stories were always developing in my mind since childhood, but never realized it as a career option. I did not have any clear idea about how to go on with life. It was just that I was fascinated by movies in childhood, that I was acting & imitating actors. This was spotted by my uncle who suggested my parents to send me to an acting workshop. 

It was a few months after I completed my acting workshop, I was approached by a local theater producer for a good role as a child actor. This was how I stepped in the industry, with still no plans to enter the industry and doing it as just a mere hobby.

After few years I took a break for studies and never thought of returning to acting, because by the time I was 16 and was helping my dad in the creative field of designing.
One day, while I was watching cartoon on TV ( yes I loved Tom & Jerry & Popeye, then and even now) I heard my mother talking about one of her friend's son making cartoon films. This was when it struck in mind to do animation and choosing my career. I did animation course for 2 1/2 yrs but was then struggling a bit that I had made a wrong choice. 

As I always wanted to make a movie and many movies left me incomplete. I used to say to myself that I could have made a better movie than this on the same concept. When finally after getting into animation , I realized what I really wanted to do. So instead of doing further specialization in animation stream, I started attending filmmaking workshops, which I enjoyed to the fullest.

I have not attended any film school and also will not suggest anyone to go, instead attend the number of workshops, search the internet & practice on your own...Which is what matters the most. Its all about searching my style and making the film that I like, rather than some producer hiring me to write " what sells". I am still on the initial developing stage of my career. I have got the path which I was searching a whole while but still searching how to go about.

As far as genre is concerned, I would like write in social, comedy, mystery & adventure. It can also be a combination of any two, three or all. I believe A film makes a deep impact on a human mind if the story/concept is depicted in the right way. So I would like to write & direct a film which has a great sense of social values and leaves a big impact on minds. It will not only give another perspective to look at society but also it will give me a great opportunity to grow as, not just writer and director but also as a person. 

I have written, edited and directed two no budget videos. It was a great, challenging experience directing both the videos as I was working all alone with the help and support of 3-4 friends during the shoot. First video itself has taught me a lot that my 2nd no budget video was quite at ease, comparatively.
 Now I am looking to shoot a short film which I have already written and soon would expect some beautiful challenges to come across me and make me more powerful & confident about my work & my potential.

Where do you like to write?

Currently I write at my home on my laptop, but soon I'll be finding other ways of writing, like sitting on a beach or a naturalistic place. What I realized by sitting 3 months in home, writing came at a drastically slow paced as I am at home with the same routine. In fact when I travel, even just to grocery stores nearby, a thought strikes by observing and passively hearing random people. The whole world is an inspiration and I am trying my new ways. Hopefully I may figure out something for my thought process which will work at a pace I want.

How do you maintain thoughts and ideas?

Its a really good question and one of the most important questions for all the writers, I think. I first used to write it down just a tagline or a short concept which would strike at that moment itself. I have to leave everything I am doing otherwise I forget. Its then we can develop the thought afterwards with some good in-depth research work.

Now I use Evernote, which I coincidentally found while surfing. Its is a very good mobile application which can maintain our thoughts and concept as we make a note. Also we can attach some reference image, recording video to the note if we want to. It also synchronizes with my laptop automatically once I downloaded and created an account. So it’s a great app to maintain thought and ideas which come suddenly.

When did you know you wanted to become a writer?

But I never really intend to become a writer. I would love to Direct & Edit and writing is what I consider as a last option. But I am polishing my skills to become a writer as well because I want to make movies of the subject which I choose and which compel me to run for it and take challenges. Though I would love to do copy-writing for TVC's. It’s actually what I found out lately and have also written many concepts for any suitable product, I feel, it will relate to.

Do you have a favorite author?

I don't have a favorite author as reading was what I used to leave to last. This is since few months I have started taking writing seriously, I have been reading whatever article or a short story I like. Though a novel, for me, is a bit far. If you ask for a director I would say Christopher Nolan, Raj Kumar Hirani, Hrishikesh Mukherjee, Aamir Khan, Ang lee, Rakesh Roshan, are my favorite directors as the film made by them is totally unique, it always has a freshness and most importantly they consider the story as the heart of the film, and that's what matters for any good film. I aspire to meet all of them & personally compliment them for every film they have made.

What are you currently writing?

I am currently writing a number of projects, which are all my own. I am planning a web based series, a short film on 'No Smoking', and 2 feature film concepts. Let’s see how I move about, as I have a lot to do and at the same time concentrate on every project giving equal importance and good amount of time as all of them involve a great amount of research work.

Follow Chintan

Thursday, January 10, 2013

Ted Harvey, Wrangler


Ted Harvey, Wrangler
An American Tradition

By Gina McKnight


It’s 5:00 am in Cody, Wyoming, a couple of hours before sunrise.  Ted Harvey is awake and ready for his first cup of black coffee.  He’ll go through a half pot of coffee before noon.  Ted is a handsome man and a solid buckaroo; a seasoned rancher and wrangler.  He wields the wrangler stride, necessary mustache, Levis that fit in all the right places and a wide smile. He has a solid history of skilled horsemanship, lasting kindness and engaging friendship.  

It’s 7:29 am now. The sun is up and trying to shine. On most days the sunrise is golden, azure and gleaming in Cody.  But today it is gray, perse and rainy, a typical autumn morning in cowboy country; hard, rugged and everything nature.  A climate manipulated and defined by the calloused hands and the sun-baked complexion of weathered wranglers. Ted has just returned from the barn; pulling horseshoes and trimming hooves.  He reaches for another steaming cup of stiff, wrangler coffee.

In 1967 Ted came into this world in Seattle, Washington. His family moved to Chapel Hill, North Carolina when he was five years old. At the age eight, he was introduced to a horse for the first time while visiting distant relatives in France.  His encounter with the horse was exciting and humbling.  Ted remembers, “We were on a farm and there was a horse there.  My twin brother and I had gone out in the morning to pet the horse.  The farmer had just fed him his oats. I really wanted to pet the horse.  My brother kept telling me to leave him alone. The horse was swishing his tail and laying his ears back. I really wanted to pet him.  After a bit, the horse had had enough, turned around, and kicked me squarely in the butt.  He kicked me clear over a fence.  My brother is still laughing about that one.”

In 1981, at the age of fourteen, Ted and his family traveled to Cody, Wyoming for a dude ranch vacation.  Arriving at Valley Ranch, a large ranch south of Cody, Ted became fascinated with the ranching lifestyle.  Staying at the ranch lodge, he became accustomed to the aroma, feel and sensations of western living. The horseback riding was exceptional; well-equipped for family vacations and novice riders. “Back then, I don’t remember much in the way of instruction,” says Ted. “They showed us how to go, stop and turn and that was about it.  In the lodge each evening at dinner there was a sign-up sheet for riding the next day.  You could choose between slow, intermediate or advance.  I went on every advanced ride for the two weeks we were there and I was hooked.  I knew then that dude ranching was what I wanted to do for the rest of my life.”  Ted’s experience at the ranch would set the course for his future vocation and instill his love for horses.


Returning to North Carolina, Ted dreamed of being back in the mountains of Wyoming, riding horses and meeting new people.  “At that point in my life I knew nothing of horses or dude ranching.  I needed experience.  So, during high school, I worked shoveling manure at local stables. They would let me ride from time to time.  At seventeen, I returned to Valley Ranch and enrolled in their Wrangler School.  This was a six week course and consisted of eight other wranglers.  This was the real beginning of my formal education as a wrangler; I was a boy of seventeen from North Carolina chasing eighty horses across the Shoshone River at 5:30 in the morning with real cowboys who at the time I considered legends.” 

While attending Wrangler School, Ted had the opportunity to meet some real western characters; famous wranglers, gracious hosts and lifelong friends. “Everyone has people they have met who have had a profound effect on their lives,” he says.  “For me one of those people was a woman I met at Valley Ranch named Irma Larom.  Her husband, Larry, started the ranch in 1914 with one of the Brooks Brothers as a partner. By the time I got there in the 1980’s he had passed away.  But she was still there.  She was about 140 years old.  She wore full-length formal dresses everyday.  She liked to flirt with the wranglers and tell stories about going to New York City in the 1920’s and staying at the Waldorf Hotel.  They would party in New York in the winter and invite their friends to Wyoming for summer adventure.  Irma said to me once, ‘A well-run dude ranch is hospitality at its finest.’ That has always stuck with me and I have tired to live up to it.  Valley Ranch no longer exists, but for me it is where everything began.”  Ted’s journey to becoming a world-class wrangler was becoming reality.  His hard work and dedication to his dream was coming to fruition.  All he needed was a good horse, fitted chaps and a wide-brim hat. Oh…and a good dog.

Wrangler.  It’s a tough word, not for the weak of heart.  Being a wrangler is hard work, long days, extreme environments, great friends and the sweet fragrance of horses - a lot of horses. Wranglers have an honorable place in American history.  Ted explains, “Historically, wranglers were teenagers hired on the big cattle drives of the 1880’s – 1890’s to take care of the string of horses the cowboys used to work the cattle herd.  Depending on the size of the herd, a cowboy might have as many as six to eight horses.  On most drives, the cowboys did not own the horses they rode.  They were owned by the cattle company. This was to prevent the cowboys from quitting and riding off in the middle of a drive that lasted for several months.  During an average day, the cattle might only move eight to ten miles, but the cowboys would ride three times that and change mounts several times a day.  It was the wranglers job to make sure the horses were groomed, fed, shod and generally cared for so they were ready for the cowboys. Today, wranglers are people who work for outfits taking usually inexperienced riders on trail rides, cattle drives and arena events.”

After wrangler school at Valley Ranch, Ted attended college in Riverton, Wyoming.  He studied the rules of horsemanship, a two-year program including training in overall horsemanship; livestock feeding, colt breaking and training, farrier science, ranch management, English riding etiquette, and team roping. “What I really took away from this experience was a little knowledge about many different equine areas, and it gave me an experience base to land my first paying job as a wrangler,” he states.  “But, if I had known then what I know now, I would have majored in business.”

Ted’s first position as a wrangler was at Black Mountain Ranch in McCoy, Colorado.  It is at Black Mountain Ranch where he met Rowdy, a bay Quarter Horse gelding. Rowdy’s dam was a Quarter Horse named Joker who belonged to Sam, the manager at Black Mountain Ranch. Ted recalls his years at Black Mountain. “I started there in 1987 as a wrangler. After about a month into my first summer, the head wrangler was fired for let’s say inappropriate behavior with a married female guest.  The manager came to me and said you are the head wrangler now.  The following summer we had a guest named Chuck.  He was a wiry, cocky twenty-three year old from Pennsylvania who, after being a guest like me, wanted to live the dude ranch life.  The manager and I agreed to hire him.  Chuck turned out to be the best wrangler I had ever known.  We only worked at Black Mountain for three years together and went our separate ways. Chuck went to work as a hunting guide for an outfitter on the western slope of Colorado.  I went to Tumbling River Ranch near Mount Evans, Colorado, and became the head wrangler there.”  When Chuck left for his new position in Colorado, he took Rowdy, the bay Quarter Horse gelding, with him. Rowdy has been in Chuck’s family for nearly twenty-three years now. Recently, Chuck was diagnosed with ALS (Lou Gehrig’s Disease).  Ted says, “Chuck and his family now live in Cody. I am honored to keep his horse for him.  My daughter, Wren, who is six years old, is learning to run barrels on Rowdy.  She won’t ride any other horse.”


While at Black Mountain Ranch, Ted had the opportunity to meet great equestrians from around the world. “In 1988, a group of guys called the Newfoundland Trail Riders came to Black Mountain Ranch.  These guys all owned horses and were good riders.  They brought their own chaps, spurs and saddles with sealskin saddlebags – packed with dried salted cod and Screech rum!” Ted exclaims. “We took them on an all day ride everyday they were there.  We did a 3-day pack trip and really had a lot of fun with these guys.  At the end of the week, their president thanked me for a great week.  He said they wanted to have a pair of custom chaps made for me to show their appreciation.  They were really beautiful and well-made, excellent leather, and stamped, ‘Thanks from Newfs, 1988’.  That was one of the nicest gifts I ever got.” 

Ted’s riding tack has grown throughout the years.  He is not partial to a particular saddle maker, but, through experience, prefers custom tack.  “The saddle I ride was built on a wade tree, with a big Mexican horn and a five inch cantle.  I have saddlebags that are actually permanently attached to the saddle,” he says. “I also ride with a custom made leather cantle bag.  With the cantle bag, I don’t like saddles with Cheyenne rolls.  Working on dude ranches, I ride a lot of different horses and find that the wade tree, with its high gullet, fits most horses well.”  A classic ‘wade tree’ saddle is designed for working ranch horses.  The tree defines the shape of the pommel and cantle. Riding horses with diverse physics require a multi-fit saddle that the rider is accustomed to and is appropriate for all horse types.

Between 1992 and 2001, Ted was hired as head wrangler for Tumbling River Ranch in central Colorado.  Located deep in the Colorado high country, this ranch had an elevation of 9,200 feet.  “We rode to 12,000 feet on all-day rides every week during the summer.  One of the rides was a place called Rosalie.  There is nothing quite like riding a good horse above timberline with 14,000 foot mountain peaks all around you.  This was my church.”  The Colorado Rocky Mountains.  Beautiful, breathtaking and a trail riders dream. 

In 1994, while head wrangling at Tumbling River Ranch, Ted meet his sidekick, Spur. “I think everyone is entitled to one great dog in their lifetime.  Mine was a black and tan coon hound named Spur,” Ted says, remembering Spur. “He was a birthday present from my parents.  He was the runt of the litter.  When they went to pick him up he was nine weeks old, had pneumonia, was tied under a pickup truck and the breeder was going to let him die.  My parents got him for $50.  I had Spur for fifteen years.  He spent most of his life on a dude ranch and went on trail rides daily in the summer.  Spur was truly my best friend.  On my 30th birthday, I was on a working ranch in Roy, New Mexico.  This was a 23,000 acre ranch and very remote.  The closest neighbor was about 45 minutes away, if it wasn’t raining.  On my birthday, I was the only human on the ranch and I didn’t get a single phone call all day.  But Spur was there for me.  In his later years he slept about 23 hours a day.  In the end, he died at the age of fifteen on his couch in his sleep.  He lived well and died well.  I will never have another dog like him.” No wrangler is complete without a well-loved dog.  Spur was just that and much more.

From the Colorado high country, Ted moved to Whitefish, Montana.  There he was the general manager of the Bar W Guest Ranch. This was an opportunity to meet more horses, more dude ranch vacationers and make new friends. Ted says, “For my 40th birthday the staff gave me a pair of custom boots.  These were really high quality boots with my initials on the uppers.  During a cattle drive on the Blackfoot Reservation, a man offered to take my duffle bag which had a leather vest, a pair of Levis, gloves a fifth of Wild Turkey, and most importantly my custom boots.  I thought he meant he would take them to the truck, but apparently he meant take-for-good.  I miss those boots.”

After leaving the Bar W Guest Ranch, Ted purchased Zeus, an almost-black Appaloosa.  Zeus had been stabled at Bar W for over five years.  Zeus was notorious for his disorderly disposition and bucking episodes. He was originally purchased from Mouse, a Blackfoot Indian.  Ted explains, “Mouse is a horse trader in the truest sense of the word and has some really great horses.  The Blackfeet have always been known as the best horseman of all the tribes. Zeus was the kind of horse that exploded into everything he did.  Because he loved to GO, the wranglers tended to let him go.  Unfortunately, this was not what Zeus needed.  He needed a consistent rider that would help him to calm down.  He now lopes on a loose rein and is a different horse.  My four year old son rides with me on Zeus.”

Ted owns another horse, Comet, who also came from Mouse.  Comet is a fifteen year old Palomino gelding. “Comet was given to me as a gift by the owner of Bar W Guest Ranch when we left there to move to Cody in October of 2010,” Ted says. “At that point Comet was already my horse since I had been, with a few exceptions, the only one to ride him. Comet is my friend and really fun to ride.  He is the kind of horse that will run the barrels at a dead run and five minutes later walk around the barrels with my four year old son, with his head down and a loose rein.  Comet has power steering, power breaks and cruise control.  In my life I have had several great horses, but Comet is the best.  He will do just about anything I ask; cross a deep river, go over the bridge, or jump off a cliff.  He is fun to ride.”  Comet is 15.3 hh and 1,200 lbs.  He is Ted’s all-time favorite horse, friend and confidant.

Ted’s favorite horse breed? A Quarter Horse, of course. American bred, with the largest breed registry in the world, the Quarter Horse is a wranglers dream.  Quick, efficient, compact and smart, the Quarter Horse is well-suited for American terrain. Ted expounds on his experience with other horse breeds, “I am a believer that after each breed’s basic characteristics, horses are a product of their environment.  In high school, I worked at a couple of Arabian Show barns mucking stalls.  The horses spent most of their time in a 12 x 12 stall and they were always trying to kick, bite or stomp me.  At the time, I hated those horses and thought that was just the way Arabians were.  Since then, I have had numerous Arabs on dude ranches and while they generally are a little more high strung, I have had some that were great dude horses.  I have known mountain trail riders who swear by various breeds, but in my opinion, most of them can be turned into great trail horses if they are treated and used right.”

Working outside, in the elements, with horses, surrounded by sky, streams and mountains.  Wrangler.  A vocation synonymous with chaps, saddles, bits, bridles, manes, tails, and dirt.  What is the difference between a cowboy and a wrangler? Ted explains, “Often the words cowboy or wrangler are used interchangeably, generally representing a man who can ride.  A funny story: On Cowboy Sunday, the kids were at the front of the Church and the Minister asked if they knew a cowboy.  My daughter answered that her dad was a cowboy.  When asked then if I have cows, she said, ‘no, but we might get chickens.’ My three year old son stood up and then announced to the congregation that he was a cowboy…and he had a toy gun, boots and spurs to prove it.  I used to think being a real cowboy was having those things, too, but I have learned it takes a lot more.  When my son crawls into bed at night we always say ‘The Words’….they go like this:

Always tell the truth
Always be honest
Always do the right thing
Always admit when you are wrong
Always do what you said you would do
Always respect others

Someday, whether my son is riding the range or working in a bank, I hope he will understand that his character and the choices he makes are what make him a true cowboy.”

Ted is currently a wrangler instructor and a dude ranch consultant in Cody. “The thing I am spending the most time on these days is managing Turpin Meadow Ranch in Jackson, Wyoming,” he says.  “This ranch was foreclosed and the bank hired me to run it until a new owner can be found.  My consulting includes caring for ranch horses, legal issues, horse program development and long-term ranch management.  Most likely I will be involved with this ranch for some time, including finding a new string of about sixty horses for the ranch.” Ted is a successful wrangler, businessman, equestrian, family man and friend. If you are considering a dude ranch vacation, give Ted a call.  He’ll provide you with accommodations befitting any want-to-be-wrangler; a steady horse, a sturdy rope, a night under the stars and memories that will last forever.

For more information, visit Ted….
For more information on Larry Larom, visit http://en.wikipedia.org/wiki/Larry_Larom

Sincere best wishes to Chuck, Ted’s family, Comet, Zeus and Rowdy; thanks, Ted!
Gina McKnight is a writer from USA http://gmcknight.com
All rights reserved. Copyright 2012. 
1st Publication Going Gaited 2012
2nd Publication Equine VIP 2012 





  


Saturday, January 5, 2013

Carry van Dansik, Sculptor

Classic, Graceful and Timeless
The Equine Art of Cary van Dansik
Emman, Netherlands

Today you will find Cary van Dansik at his drawing board, in the old complacent hay barn in the picturesque Dutch countryside.  The barn has been refurbished into a beautiful sculptor’s studio with all the amenities, producing only the finest in bronze life-size equine art. Van Dansik is a world-famous equine bronze portraiture and sculptor, creating one-of-a-kind limited bronze pieces.


Since Kindergarten, van Dansik has been creating, dreaming and crafting.  “As a child of four, I was already drawing horses in a special way. The teachers noticed; it wasn’t normal for a child of that young age to be caught drawing horses at his desk.  The teachers told my parents about this,” van Dansik says. “The teachers suggested giving me a special education in art, but my Father, coming from an old butchers-tradition, decided otherwise by providing a solid and secure trade, no question about it!  When my Father decided not to send me to the Academy of Art, I was very sad and angry, but at present, I am so grateful he didn’t. The lessons I have learned on my own, by analyzing and studying, one can not learn at any Art Academy!”

Van Dansik’s skill developed naturally.  His God-gifted talent and love for horses has progressed into the world’s most beautiful equine art.  He explains, “The great and famous English painter, George Stubbs, was an excellent example for me.  He would take a dead horse into his studio to study its anatomy! I can understand why he did so. It has been essential for me to learn the structure and the function of all the bones, muscles and what makes the possible movements of this wonderful creature!”

The process of creating a life-size masterpiece requires patience, mathematics, fortitude, passion, and steady hands. “It all starts on the drawing board where I make my sketches from an idea and from pictures. Then I make the necessary calculations to make the bronze life-size,” van Dansik explains. “It is important to make an anatomically correct solid iron armature (skeleton).  After the skeleton is prepared, I begin modeling with clay or modeling wax.  In that stage, I can still present the results to the client for changes (if it is a portrait-commission).  Once the armature is complete, the people from the local foundry come and take the statue to cast it into bronze. It is all finished under my close supervision.”




The Baroque breeds are van Dansik’s favorite to sculpt; Spanish, Andalusian, Frisians, Lipizzaner, as well as the special movers - English Hackney and the Dutch Harness.  Van Dansik says, “All horse breeds are fascinating and a solid source of inspiration for me! But, of course, the Father of all horses is the Arabian! Especially the pure Egyptian Arabian.  They have all that you look for in art – expression, nobility, grace and a divine beauty that I can hardly describe!” van Dansik has written a poem to express their beauty….

Behind these doors lays the new stage where I hope to perform
To continue my work as an Equine Sculptor
Behind these doors lays also my dream
 To make my masterpiece tomorrow…

Behind these doors lays also many tears and desperation
A new day will come, to struggle to fight all over
Just to reach a shadow of God’s most wonderful creature
My life goal, the perfect bronze image of an Arabian horse
But tomorrow…tomorrow!!

Van Dansik is surrounded by horses.  “The negative side of being successful is having a lack of spare time, and you do need a lot of time to spend on horses, because they are your children and entitled to get the attention they need!! If you don’t have the time, you can’t have horses!” Van Dansik exclaims. 

Developing his own technique, style and approach to create exclusive works of art, van Dansik has produced over thirty bronze horse editions from desk-size sculptures to life-size statues.  His work is envied, one-of-a-kind, valuable and timeless.

Why sculpt horses? “No special reason!” van Dansik says. “They have always been there. I just can’t imagine life without horses. I must have been a horse once myself!”

Follow Carry van Dansik; view his current projects http://www.vandansik.com/

Gina McKnight is an author and freelance writer from USA 
Original Publication 2012 Going Gaited.
All Rights Reserved.








Friday, January 4, 2013

Julie Ferris, Equine Artist


From Atlanta, Georgia, USA, Julie Ferris is an award-winning international equine artist, creating art that 'melds photorealism, impressionism, and idealism all into one'....

(c) Julie Ferris

Welcome Julie! 


What was your first experience with horses? 
(c) Julie Ferris

My first experience with horses was with Tennessee Walkers my grandfather purchased for his farm when I was around four years old. Sometimes my mom would ride double with me in the front of the saddle and ever since then I have been attracted to these animals like a magnet. 


What is your favorite breed of horse?

The Andalusian horse has always fascinated me although I have never had the opportunity to ride one. The ancient breed was well known ever since the middle ages and many modern breeds have come from it or have the Andalusian bloodline somewhere in their breed history. From what I have learned, they have versatility, as they are used in many different disciplines and their intelligence serves them well.

Tell me about your art... 

My art deals with anything and everything equine or equestrian related. The horse is the primary focus and from that stems different ideas and concepts. I try to capture the essence of the horse and what it stands for. Through use of color, composition, and all the elements of art I explore different ways I can create a painting that displays the horse in a new light. I strive to create paintings in which the horse feels as if it is living and breathing. Connection is a huge part of my paintings being my own connection and my desire to connect others to these animals even if they have had little or no contact with them. I use traditional and contemporary techniques or concepts to try to create an innovative painting of an animal that has been painted for thousands of years. 

What medium do you use? 

Oils are my primary medium although I am experienced with most others as well. I paint in oils because I find that the richness in the end result and flexibility in working with them is better than any other medium I have used. 


Where are you currently exhibiting? 

Right now I currently have work for sale in a fashion boutique called Fab'rik in Savannah, GA. Recently though, I had some shows at a gallery called Ashmore, also in Savannah. I also exhibited in Lacoste, France at the end of my quarter there this past fall.

Why horses? 

My work is centered around the subject of the horse for many reasons other than my own personal connection and fascination. The horse has such unique and amiable characteristics that no other animals have. Symbolism is a huge part of why I paint these animals. Their beauty, speed, grace, elegance, regality, and wild yet obedient spirit are all attributes that attract me to them. I want people to see my paintings and experience wonder and joy in the subject that is painted. On a purely aesthetic level, I paint horses because they are physically intricate animals where ruggedness and grace are combined majestically into one. I never get tired of painting them which is why I know this is the right focus for me. Each new work is an exciting process and journey where the end result is always rewarding. 

(c) Julie Ferris
Who is your favorite artist?

My favorite artist is Theodore Gericault because of the many accomplished works of art he completed during his brief life, many of them involving the subject of the horse. He had a way of capturing horses' personalities and created obvious moods in his pieces. There is no denial of his love for the animal and in his paintings you can see how careful he paid attention to the details. He knew his subject beyond just their appearance and I believe that is what made his equine paintings so successful.

What are you currently painting? 

I am currently working on three different commissions, one a custom portrait of a horse, one a portrait of a home, and another, a horse related commission for a western art company I am working for. I am also working on a few of my own pieces for my own exploration when I have time.

Follow Julie

(c) Julie Ferris



Murray Alfredson, Poet


Night piece
by Murray Alfredson

The owls rebuked me. Silent as stars they came 
on still wings, lit wings, bellies agleam from street-
and park-lamps; stars they were, those strong, those
silently ongliding points of brightness.

They took them forms of birds in approaching, fleet
and silent birds commanding the shadowed park;
that silence, rippling rush of silence,
called on the sensitive ear to hark them.

The stars are gods, they tell us of old, so far,
so vast they cannot know that we men have hearts.
From sea, from mountaintop we see them
(moon set or hidden, and all else blackness).

They thrust long spears though ages of empty dark,
sharp points of light that tremor against our eye;
and steeled restraint of vibrant shoulders
coldly compels us to kneel and worship.

But who would dream to gaze from the noise of streets,
the blaze of lamp and neon, toward the sky?
We’ve pitched a tent of glare above us,
shielding ourselves from those night-honed lances.

Yet still the high gods come, in a kinder form:
they slip beneath our dome of defense as hawks
of night and haunt the air around us,
patiently calling our eye and wonder.

How many, many nights have you flown above
and I not seen you, gods in the flesh? How long
had you to wait before my heart’s door?
Brain was so buzzing, I failed to hear you. 



Taken from Nectar and Light. Friendly Street New Poets, 12. Adelaide: Wakefield Press and Friendly Street Poets, 2007

Murray is a poet, essayist and resident skeptic living in Adelaide Area, Australia.



Wednesday, January 2, 2013

Dr. A.V. Koshy, Author


Dr. A.V. Koshy is an author, essayist, theoretician, researcher, entrepreneur, pioneer, innovator, philanthropist, teacher, educationist, short story writer, novelist, poet, critic and artist, who has published a book, articles, poems, research papers, and more. He is an award winning writer, husband, father, and lover of life.

Welcome Dr. Koshy!




Where are you in the world?
I actually hail from Thiruvananthapuram, called Trivandrum by the British, in Kerala or “God’s own country” as it is more popularly known in south India. But when I and my wife found my son has autism we shifted to the metro Bangalore in Karnataka known for its cyber companies. The need for finance made me go abroad and presently I am in Jazan, Saudi Arabia, in a college here teaching English Literature as an Assistant Professor. This is factual. The other place I am in mostly is facebook. Smiles.

Tell me about your writing....
Writing is unashamedly my world, passion, lust and lover. I started very young, it was and is a family tradition, and at age four I won a prize in a prestigious international competition started by an Indian for a poem. It was the Shanker’s International Competition for Arts. My two brothers and sister also got it. Both my dad and mom and my wife and daughters write. The poem was on the beauty of nature I think, and all I remember now is a simile, me comparing in it the moon to a plate, a reductive but realistic one.

How do you maintain thoughts and ideas?
I used to read a lot. I travel out of necessity; I experience everything, live life as fully as I can, as intensely as I can. I feel a lot, especially the sorrows of others. So after years of writing I found something happened to me inside inspired by great artists and writers which is that writing now just flows out of me. I do not bother to even document it much, it’s like oceans pent up finding release and it just goes on. I love this surge, and live for it. Nothing inspires me as much as family, the Bible, Christ, women, love, sex and this adrenaline rush or high. 

My books, Wrighteings: In Media Res co-written with A.V.Varghese and A Treatise on Poetry for Beginners as well as the one on Samuel Beckett coming out from Authorspress, based on my thesis, or my poems etc, all seems to hang around these themes. As a critic and poet as well as short story writer I find my range is very wide actually unlike many I’ve met today - but I need to write more humor, and comedy, and try my hand at the novel and the drama. I want to see how it goes with my collection of short stories soon to be released by Lifi first. 

Getting picked in editor’s choices by Russell Streur of Camel Saloon, with a poem nominated for Pushcart Prize for Poetry 2012, and also my Treatise being chosen as best Indian reads 2012 by The Butterfly and the Bee, have given me confidence that my best work will not only come forth now but find an apt audience.

Where do you like to write?
Now it’s come to the point that it’s not where but with what- I can write constantly if I have my netbook or comp or laptop with me and am wired to the internet.

What are you currently writing?
I write poetry but I am also working on a novel and three collaborations, one non fiction and another poetry collection. I don’t hurry – I expect and try to produce great work.

Do you have advice for beginning writers?
Yes. Never give up and constantly improve yourself and you will make it. Believe in yourself and try to be the best and never say no to experience and to deepen your vision. Try to be great and not just a writer.

What is your favorite facebook writers group?
Dreaded Poets Society – it’s a fun place where we all try to write trash and mediocre stuff, started by my friend Vasudev Murthy who is another great writer.

Who is your favorite writer/author? Why?
My favorites right now are Charles Dickens and Shakespeare, because of the balance of comedy and tragedy in their works, I envy their range, as I find it easier to dwell on the tragic side but they are always able to bring in humor, light and darkness, everything in short. I don’t know any writer today who can do it that well. I also love the Indian epics and Tolkien for his vast imagination. I love a million writers actually, and though I’m a minimalist, I love Russian maximalism like crazy….  In poetry, I’m recently fascinated by epic poems and even dream of trying one! I love Steinbeck and Hemingway for their simplicity.

Follow Ampat….

An Equestrian for All Seasons

Azam Hayat Noon: An Equestrian for All Seasons

Crack. You can hear it along the sidelines, intensifying as the score is tied.  Polo mallets swinging down to earth to collide with a tiny ball.  The field is alive with thundering horses and powerful players. Sod rises and falls as hooves scatter on demand; horses eyeing the goal. Crack. A goal scored as the crowd cheers. A goal for the home team – Azam’s polo team; a goal comprised of athletic abilities, radiant horses, and cohesive riders.

Polo is just one of Azam Hayat Noon’s passions. Besides playing polo, Azam is an avid hunter, exceptional artist, horse breeder and all-around equestrian.  From Lahore, Pakistan, Azam embraces life.  Returning recently from a polo and hunting excursion, Azam talks about his adventures and his love for horses.  Azam states, “I come from a land-owning family and grew up on a farm. My father did not ride but encouraged his sons to do so.  I was put on a horse when I was about four years old, and that was the day I became addicted.  I ran around on our farm till the age of six when I was sent to the city to school.  While in school, I lived with my uncle on his farm and I rode the farm manager’s mares, the mares they used to check the farmhand’s work.”

As Azam grew, so did his love for horses.  He attended Aitchison College in Lahore.  At Aitchison, he had access to over forty horses. Azam was able to ride horseback to school everyday.  It was during this time that Azam learned the thrill of hunting on horseback.  Azam explains, “We grew up seeing our father hunt boar on foot with a shotgun and saw some of the farmhands on horses in the beat, and chasing the boar. It was natural that we combined the two interests and ended up chasing boar on horseback with either a shotgun or a spear. Not the kind of spear you throw, but the heavy kind that one would thrust. As children we had only one saddle between us and so we had to take turns. Riding bareback every other day for hours gave us good balance and a strong grip.” 

“Boar hunting used to be a great day out,” Azam smiles. “The evening before the excitement was very high getting things organized and deciding what time the horses were leaving.  Sometimes, if going far, we would leave early in the morning before sunrise.  Everyone was up early getting food cooked for all the beaters and their dogs.  The dogs were bullterriers, lurchers and crossbreeds.  Half of the horsemen were our farmhands and the other half were village people fond of hunting.  They would get the guns and cartridges ready as well as the transport for the beaters.  We would drive to the river where we found the horses ready and rested after a three hour walk. All the hunting was done in the tall grass.” Beaters traveled ahead of the hunters, tracking the elusive game.  The beat was a mix of horses, men and dogs waiting for a boar to thrash through the tall grass. 

“The moment a boar got up all hell broke loose,” Azam remembers. “The dogs, horsemen and the beaters all chased. The men stopping for breathe first, then the dogs; the horses chased the longest, sometimes going for a few miles.  On uneven broken country with tall grass you see the boar in the openings, get close to it, and then loose it again in the thicket. Someone else sees it and shouts and the chase is on again, the horses panting and sweating, running through grass, jumping over ditches and holes. There were times when the horse and rider had a tumble, but most riders were saved with bruises and scratches.” Boars, with their grayish-black hide and gnarly temperament, can be formidable prey.  At almost six feet long, and up to 450 lbs, an angered boar is capable of toppling a horse and rider.

Azam continues, “The thrill of the galloping horse, reins tied into a knot for easy handling, the horses learn to follow their prey. Loading and firing the double barrel shotgun at a fast pace on uneven ground gets your heart pounding and your breathing heavy; the uplift of your heart, the love of the chase. One way is to shoot from the galloping horse. The real horseman used the spear. To control the horse and to guide the spear into the angry boar is not a job for the faint heart. Only the best horseman and the bravest of the brave attempt it. The hunt and the chase in the day and the cheerful storytelling on the long way back home, walking in pitch dark the man and beast all have their sights on getting home after a very long day, and going to their comfortable beds. On the way back stories of hunting and songs of legends past make the tiresome journey back bearable.”  Great memories of bravery and symmetry on a steady mount; posterity that Azam shares with his son, family and friends.

As a horse breeder, Azam is familiar with the local equine stock and keeps abreast of horse market trends.  “I breed thoroughbreds for track and for polo for myself. I am going to start breeding Desi’s as well. Their prices have gone up and they are viable to breed now. I am also going to get a stallion for tentpegging; I am starting tentpegging again after many years break.  Desi’s vary a lot in height, from 14.2 hh to about 15.1 hh, some growing even taller.”  With the increase in interest, the Desi breed is becoming popular as a sport horse as well as a worthy companion.

The Desi horse is legendary in Pakistan.  Azam explains, “The Desi horse is a mix of the local subcontinent horse and the imports from Arabia, Afghanistan, Iran and central Asia over the last few centuries. As you know, before 1947 India and Pakistan were one and there were no physical boundaries so the horses moved around and mixed with different breeds. The Kathiawari breed has ears that are more bent at the top - almost touching. I think that might be that they are more pure in their blood. The Desi’s don’t have those ears, showing more influence of the imports. The Desi’s are a hot blood breed with the chest not so broad, and short quarters compared to thoroughbreds, and the quarters are more sloping, short back, high head carriage, comes out high from the withers. The back legs are a little weak, cow hocked sometimes, very light ride, good first burst but not as fast as the thoroughbreds on longer sprints. I am not a big expert on them but this is what I think and have learned over the years. Others might see things differently.”


As an artist, Azam’s paintings are exceptional.  Sketching his native fauna, he captures their spirit and beauty in each finished painting. Azam’s technique is soft and expressive. Earthy hues and shades, blending and layering, all add to the quality of his art. Horses, quails and other familiar animals come to life through Azam’s artwork.

Polo, tentpegging, hunting – all on horseback.  Azam is an equestrian for all seasons.  As an artist, Azam’s passion for nature and the thrill of adventure comes through.  A talented and congenial man, Azam is excited to showcase his equine sports, athletic horses and zest for life.  Preparing for polo and tentpegging is a year-round thought and mindset for Azam.  He will play every chucker and every match with the passion of a hunter, the thrill of an equestrian and the heart of a winner.   

(c) Gina McKnight, Freelance Writer, Ohio, USA 


Original Publication 2012 Going Gaited
http://gmcknight.com
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No Duplication Without Permissions.

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