Gina McKnight, Monday Creek Publishing Author, Freelance Writer, Equestrian, Blogger, and Poet! Welcome to my international blog about horses, writers, authors, books, cowboys, equestrians, photographers, artists, poets, poems, and more horses.
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Tuesday, December 5, 2017
Making Custom Cowboy Boots: An Interview with Lisa Sorrell, Bespoke Cowboy Bootmaker
Making Custom Cowboy
An Interview with Lisa Sorrell,
Bespoke Cowboy Bootmaker
Marilyn Monroe eloquently stated, “Give a girl the right shoes and she can
conquer the world.” And that goes for boots, too! Every cowgirl and cowboy – whether
they ride a horse, or not – knows the aesthetic value of the right boot,
especially when your boots can be made-to-order from one of the top artists in
boot design, Lisa Sorrell.
in Missouri, now residing in Guthrie, Oklahoma, Lisa Sorrell knows design. She
was taught to sew at an early age, and eventually found her calling crafting custom
cowboy boots. Lisa creates “dialog through interplay of color, texture and
technique, preserving tradition and keeping consistent with pioneers of the
craft by interpreting vintage designs in contemporary and modern ways.”
has won many awards for her work in the United States, as well as in the
Netherlands, Germany, and throughout the world.
She was a featured artist on the PBS series “Craft in America” (2011), and she has been
featured in many magazines, including “American Craft” and “Cowboys and
Indians.” Lisa is the author of “The Art of Leather Inlay and Overlay” her first
book detailing the process of creating art for traditional cowboy boot tops.
GM: Congratulations on
your great success as an artist! I recently read about your accomplishments in
a fashion designer magazine and was impressed with your creativity! You have been
creating bespoke boots for a long time. Do you remember the first pair of
custom boots you made?
LS:I got my first job in a
boot shop in 1990, and I’ve owned my own business since 1996. The first two
pairs of boots I made were for myself and my husband. Because I was just
learning to be a bootmaker, they were both very plain, and neither of them fit
well. Cowboy boot making is incredibly complex, and it takes years to master,
making a beautiful pair of boots that fits.
GM: You have crafted
custom boots for celebrities, such as Wynonna Judd, LeRoy Parnell, and Trisha
Yearwood (to name a few), and have customers all over the world. I know you
treat every pair of boots as if they were your own. Through the years, can you
pick one design that has been your favorite to craft?
LS:I name all of my boots
after Bluegrass and Classic Country songs. One of my favorite designs is based
on a vintage cowboy boot design. I changed the shape of the leaves and flowers,
but kept the idea of bluebirds and butterflies. I also made my version into a
triad—the foot part of the boot ends before the side seam, and the boot top
extends all the way down to the sole. I call this design “I Heard the Bluebird
I Heard the Bluebird Sing
GM: Your innovative style,
artistic skill, and quality craftmanship have launched your notoriety as a
bootmaker. What are the steps for creating a custom boot? How long does it take
from start to finish?
LS: It takes me a month to
build a pair of cowboy boots. There’s a lot of wet/dry time and it’s not
efficient to only make one pair of boots, so I usually make 2-3 pairs at a
The process begins with
measuring the clients foot and customizing a last to build their boot around.
The first step is to create the cowboy boot tops with all of the decorative
work. The foot part is sewn onto the two front panels and the heel part is sewn
onto the back panels. The side seams are sewn and then the boot is ready to be
formed around the last. After lasting, I hand sew the welt, then lay the soles,
and finally add the heels.
GM: I know you use only
quality leathers and threads to create your one-of-a-kind boots! What
leather(s) do you use? Who is your leather and thread supplier(s)?
LS:Because I typically make
very intricately designed boots, I use kangaroo leather for the boot tops. It’s
thin and light-weight, but also very strong. It’s ideal for creating layered
inlaid and overlaid designs.
I mostly use alligator or
ostrich for the foot of my boots. I prefer American alligator because unlike
most reptile skins, it’s soft and durable. Ostrich is also quite strong but
soft and comfortable.
GM: Your designs are
intricate with great detail. To date, how many pairs of cowboy boots have you
made? What has been the most challenging design requested?
LS:I had an old bootmaker
tell me that I wouldn’t know what I was doing until I’d made at least 500 pairs
of boots. I found that he was quite correct! I stopped counting after I’d made
over 1,000 pairs, and I have no idea how many pairs of boots I’ve made now.
The most challenging pair
of boots I ever made featured the eagle from the Austrian coat of arms on the
boot tops. The detail in the design and
the delicacy of the eagle’s feathers weren’t easy to recreate.
GM: I am thinking custom
belts with custom boots. I saw a pair of boots on your website with a matching
belt. Do you create custom belts, too? What other products do you create
besides cowboy boots?
LS:I only make cowboy boots.
I have a belt maker I work with when a customer commissions a belt to match
GM: You are a busy bee!
Your creativity and motivation is inspiring! What do you like to do in your
LS:My hobby and my passion is
music - listening, not performing. I enjoy attending Bluegrass festivals!
GM: With your vast talent
and experience, what is your advice for novice bootmakers?
LS:My best advice for
beginning bootmakers is to practice, and practice, and practice. You’ll never
completely master boot making, but the journey is immensely satisfying.
GM: As an expert
craftsman, winning many accolades and honors, what are your plans for the
LS:My goal for the future is
to make more of the boots I enjoy making. Bespoke cowboy boots are commissioned
work, and I’m moving into a time in my career where I’m more choosy about the
commissions I accept. I’ve realized that I find joy in working with designs and
clients that interest me, and that joy shows in my work. I want to pursue the
commissions that bring out the best in me.